A00039 - Frank Wess, Basie Band Saxophonist and Flutist

Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flautist. 

Wess was born in Kansas City, Missouri, the son of a school principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz upon moving to Washington, D. C., and by nineteen was working with Big Bands. His career was interrupted during World War II although he did play with a military band during the period. After leaving the military, he joined Billy Eckstine's orchestra.  He returned to Washington, D. C. a few years afterwards and received a degree in flute at the city's Modern School Of Music. From 1953 on, he joined Count Basie's band, playing flute and tenor sax. He reverted to alto sax in the late 1950s, and left Basie's band in 1964. From 1959 to 1964 he won Down Beat's critic poll for flute.

He was a member of Clark Terry's big band from 1967 into the 1970s and played in the New York Jazz Quartet (with Roland Hanna).  He also did a variety of work for TV. In 1968 Wess contributed to the landmark album The Jazz Composer's Orchestra. 

In the 1980s and 1990s, Wess worked with Kenny Barron, Rufus Reid, Buck Clayton, Benny Carter, Billy Taylor, Harry Edison, Mel Torme, Ernestine Anderson, Louie Bellson, John Pizzarelli, Howard Alden, Dick Hyman, Jane Jarvis, Frank Vignola and was a featured member of the Toshiko Akiyoshi Jazz Orchestra.   In the 2000s, Wess released two albums with Hank Jones. In 2007, Wess was named an NEA Jazz Master by the United States National Endowment for the Arts.  

Frank Wess died from a heart attack related to kidney failure on October 30, 2013.

A00038 - Ruby Dee, Actress and Activist

Ruby Dee, byname of Ruby Ann Wallace   (b. October 27, 1922, Cleveland, Ohio,  - d. June 11, 2014, New Rochelle, New York), was an American actress and social activist who was known for her pioneering work in African American theatre and film and for her outspoken civil rights activism. Dee’s artistic partnership with her husband, Ossie Davis, was considered one of the theatre and film world’s most distinguished.

After completing her studies at Hunter College in Manhattan, Dee served an apprenticeship with the American Negro Theatre and began appearing on Broadway. She met Davis on the set of the play Jeb and married him in 1948. She often appeared with her husband in plays, films, and television shows over the next 50 years. Among Davis and Dee’s most notable joint stage appearances were those in A Raisin in the Sun (1959; Dee also starred in the film version in 1961) and the satiric Purlie Victorious (1961), which Davis wrote; Davis and Dee also appeared in the film version of the latter (Gone Are the Days, 1963). The couple acted in several movies by director Spike Lee, including Do the Right Thing (1989) and Jungle Fever (1991). Among their television credits are Roots: The Next Generation (1978), Martin Luther King: The Dream and the Drum (1986), and The Stand (1994). The couple’s partnership extended into their activism as well; they served as master and mistress of ceremonies for the 1963 March on Washington, which they had helped organize.

Dee continued to act into the early 21st century, and her later films include The Way Back Home (2006) and American Gangster (2007). Her performance as the mother of a drug kingpin (played by Denzel Washington) in the latter film earned Dee her first Academy Award nomination. She also appeared in numerous television productions, notably Their Eyes Were Watching God (2005), an adaptation of Zora Neale Hurston's novel. In addition to her acting, Dee authored several books. Dee and Davis were jointly awarded the National Medal of Arts in 1995 and a Kennedy Center Honor in 2004.

A00037 - Maya Angelou, Poet and Activist

Maya Angelou, original name Marguerite Annie Johnson   (born April 4, 1928, St. Louis, Missouri, U.S.—died May 28, 2014, Winston-Salem, North Carolina), American poet, memoirist, and actress whose several volumes of autobiography explore the themes of economic, racial, and sexual oppression.

Although born in St. Louis, Angelou spent much of her childhood in the care of her paternal grandmother in rural Stamps, Arkansas.  When she was not yet eight years old, she was raped by her mother’s boyfriend and told of it, after which he was murdered; the traumatic sequence of events left her almost completely mute for several years. This early life is the focus of her first autobiographical work, I Know Why the Caged Bird Sings (1969; TV movie 1979), which gained critical acclaim and a National Book Award nomination. Subsequent volumes of autobiography include Gather Together in My Name (1974), Singin’ and Swingin’ and Gettin’ Merry Like Christmas (1976), The Heart of a Woman (1981), All God’s Children Need Traveling Shoes (1986), A Song Flung Up to Heaven (2002), and Mom & Me & Mom (2013).

In 1940, Angelou moved with her mother to San Francisco and worked intermittently as a cocktail waitress, a prostitute and madam, a cook, and a dancer. It was as a dancer that she assumed her professional name. Moving to New York City in the late 1950s, Angelou found encouragement for her literary talents at the Harlem Writers’ Guild. About the same time, Angelou landed a featured role in a State Department-sponsored production of George Gershwin's folk opera Porgy and Bess; with this troupe she toured 22 countries in Europe and Africa. She also studied dance with Martha Graham and Pearl Primus. In 1961, she performed in Jean Genet's play The Blacks. That same year she was persuaded by a South African dissident to whom she was briefly married to move to Cairo, where she worked for the Arab Observer. She later moved to Ghana and worked on The African Review.

Angelou returned to California in 1966 and wrote Black, Blues, Black (aired 1968), a 10-part television series about the role of African culture in American life. As the writer of the movie drama Georgia, Georgia (1972), she became one of the first African American women to have a screenplay produced as a feature film. She also acted in such movies as Poetic Justice (1993) and How to Make an American Quilt (1995) and appeared in several television productions, including the miniseries Roots (1977). Angelou received a Tony Award nomination for her performance in Look Away (1973), despite the fact that the play closed on Broadway after only one performance. In 1998 she made her directorial debut with Down in the Delta (1998).

Angelou’s poetry, collected in such volumes as Just Give Me a Cool Drink of Water ’fore I Diiie (1971), And Still I Rise (1978), Now Sheba Sings the Song (1987), and I Shall Not Be Moved (1990), drew heavily on her personal history but employed the points of view of various personae. She also wrote a book of meditations, Wouldn’t Take Nothing for My Journey Now (1993), and children’s books that include My Painted House, My Friendly Chicken and Me (1994), Life Doesn’t Frighten Me (1998), and the Maya’s World series, which was published in 2004–05 and featured stories of children from various parts of the world. Angelou dispensed anecdote-laden advice to women in Letter to My Daughter (2008); her only biological child was male.

In 1981 Angelou, who was often referred to as “Dr. Angelou” despite her lack of a college education, became a professor of American studies at Wake Forest University, Winston-Salem, North Carolina. Among numerous honors was her invitation to compose and deliver a poem, “On the Pulse of Morning,” for the inauguration of United States President Bill Clinton in 1993. She celebrated the 50th anniversary of the United Nations in the poem “A Brave and Startling Truth” (1995) and elegized Nelson Mandela in the poem “His Day Is Done” (2013), which was commissioned by the United States State Department and released in the wake of the South African leader’s death. In 2011 Angelou was awarded the Presidential Medal of Freedom. 

A00036 - Ahmed Abu Khattala, Islamist Militia Commander in Libya

Khattala, Ahmed Abu

Ahmed Abu Khattala (born c. 1971) was a Islamist militia commander in Libya, a commander of Ansar al-Sharia militia. He is suspected of participating in the 2012 Benghazi attack on the American diplomatic mission at Benghazi, in which the American Ambassador and three other Americans were killed. In a December 2013 investigation of the attack, the New York Times described Abu Khattala as a central figure.  However, Abu Khattala denied killing the Americans or being part of the attack.

Abu Khattala spent most of his adult life in Abu Salim prison in Tripoli, jailed by the Qaddafi government for his Islamist views. During the 2011 uprising against Qaddafi in Libya, he formed his own militia of perhaps two dozen fighters, naming it Obeida Ibn Al Jarra for an early Islamic general. He later became involved in Ansar al-Shariah, a group of as many as 200 militants who, had broken away from the other militias in 2012 in protest of those militia's support for parliamentary elections in Libya.  Abu Khattala opposed American involvement in Libya and in interviews with the New York Times stated that “the enmity between the American government and the peoples of the world is an old case.” In regards to the role of the air campaign of NATO that overthrew Colonel Qaddafi, he believed that if NATO had not intervened, “God would have helped us.” He also claimed that, “We know the United States was working with both sides” and considering “splitting up" Libya.

Witnesses of the September 11, 2012 attack on the American diplomatic compound in Benghazi say they saw Abu Khattala leading the attack. On August 6, 2013, United States officials confirmed that Abu Khattala had been charged with playing a significant role in the attack. 

On the weekend of June 14 to June 15, 2014, U.S. Special Forces captured Abu Khattala in a covert mission in Libya. Khattala is one of the suspected leaders of the 2012 Benghazi attack.