A00061 - Cardiss Collins, Illinois' First African American Congresswoman

Cardiss Hortense Collins, (née Robertson) (September 24, 1931 – February 3, 2013), was a Democratic politician from Illinois who served in the United States House of Representatives from 1973 to 1997. She was the first African American woman to represent the Midwest in Congress. Collins was elected to Congress in the June 5, 1973 special election to replace her husband, George, who had died in the December 8, 1972 United Airlines Flight 553 plane crash. The seat had been renumbered from the 6th district to the 7th when she took the seat. She had previously worked as an accountant in various state government positions.

Throughout her political career, she was a champion for women’s health and welfare issues. In 1975, she was instrumental in prompting the Social Security Administration to revise Medicare regulations to cover the cost of post-mastectomy breast prosthesis, which before then had been considered cosmetic.  In 1979, she was elected as president of the Congressional Black Caucus, a position she used to become an occasional critic of President Jimmy Carter. She later became the caucus vice chairman. In the 1980s, Collins warded off two primary challenges from Alderman Danny K. Davis, who would finally be elected to replace her in 1996. In 1990, Collins, along with 15 other African-American women and men, formed the African-American Women for Reproductive Freedom. In 1991, Collins was named chair of the Energy and Commerce Subcommittee on Oversight and Investigations. Her legislative interests were focused on establishing universal health insurance, providing for gender equity in college sports, reforming federal child care facilities. Collins gained a brief national prominence in 1993 as the chairwoman of a congressional committee investigating college sports and as a critic of the NCAA. During her last term (1995–1997), she served as ranking member of the Government Reform and Oversight Committee. She also engaged in an intense debate with Representative Henry Hyde over Medicaid funding of abortion that year. 

Collins did not seek re-election in 1996, citing her age and the Republican majority in the House. In 2004, she was selected by Nielsen Media Research to head a task force examining the representation of African Americans in TV rating samples. Collins lived in Alexandria, Virginia until her death on February 3, 2013, at the age of 81. 

A00060 - Martina Arroyo, Opera Soprano and Kennedy Center Honoree

Martina Arroyo, (born February 2, 1937), is an African American operatic soprano who had a major international opera career from the 1960s through the 1980s. She was part of the first generation of African American opera singers to achieve wide success, and is viewed as part of an instrumental group of performers who helped break down the barriers of racial prejudice in the opera world.

Arroyo first rose to prominence at the Zurich Opera between 1963–1965, after which she was one of the Metropolitan Opera's leading sopranos between 1965 and 1978. During her years at the Metropolitan Opera, she was also a regular presence at the world's best opera houses, performing on the stages of La Scala, Covent Garden, the Opera National de Paris, the Teatro Colon, the Deutsche Opera Berlin, the Vienna State Opera, the Lyric Opera of Chicago and the San Francisco Opera, to name just a few. She is best known for her performances of the Italian spinto repertoire, and in particular, her portrayals of Verdi and Puccini heroines. Her last opera performance was in 1991, after which she has devoted her time to teaching singing on the faculties of various universities in the United States and Europe.

On December 8, 2013, Arroyo received a Kennedy Center Honor. 

A00059 - Andre Brink, South African Literary Lion

André Philippus Brink, (May 29, 1935 – February 6, 2015) was a South African novelist. He wrote in both Afrikaans and English and was a Professor of English at the University of Cape Town.  .

In the 1960s he, Ingrid Jonker and Breyten Breytenbach were key figures in the significant Afrikaans literary movement known as Die Sestigers ("The Sixty-ers"). These writers sought to use Afrikaans as a language to speak against the apartheid government, and also to bring into Afrikaans literature the influence of contemporary English and French trends.

His novel Kennis van die aand (1973) was the first Afrikaans book to be banned by the South African government.  André Brink translated Kennis van die aand into English and published it abroad as Looking on Darkness. This was his first self-translation.  After that, André Brink wrote his works simultaneously in English and Afrikaans.

While Brink's early novels were especially concerned with apartheid, his later work engaged the new range of issues posed by life in a democratic South Africa.

A00058 - Don Covay, Performer and Writer of R&B Hits

Donald James Randolph (March 24, 1936 – January 31, 2015), better known by his stage name Don Covay, was an American R&B, rock and roll and soul singer and songwriter most active from the 1950s to the 1970s. His most successful recordings included "Mercy, Mercy" (1964), "See-Saw" (1965), and "It's Better To Have (And Don't Need)" (1974). Other songs written by Covay included "Pony Time", a United States #1 hit for Chubby Checker, and "Chain of Fools", a Grammy-winning song for Aretha Franklin. He received a Pioneer Award from the Rhythm and Blues Foundation in 1994.

A00057 - Ernie Banks, Eternally Optimistic "Mr. Cub"

Ernie Banks, byname of Ernest Banks (b. January 31, 1931, Dallas, Texas — d. January 23, 2015, Chicago, Illinois), was American professional baseball player, regarded as one of the finest power hitters in the history of the game. Banks starred for the Chicago Cubs from 1953 to 1971. An 11-time All-Star, Banks was named the National League’s (NL) Most Valuable Player for two consecutive seasons (1958–59). He hit more than 40 home runs in five different seasons, leading the NL in that category in 1958 and 1960. He also led the league in 1958–59 in runs batted in.

Banks excelled in football, basketball, track and field, and baseball at his Dallas high school. At age 17 he joined a barnstorming Negro League team at a salary rate of $15 per game. In 1950 legendary Negro League star Cool Papa Bell signed him to the Kansas City Monarchs. Soon after, Banks spent two years in the United States Army, after which he returned to the Monarchs. His stay there was short-lived, however, as the major leagues, recently integrated, were eager to take advantage of the wealth of talent in the Negro leagues.

Signed by the Chicago Cubs in 1953, Banks soon established himself as one of the league’s leading power hitters. In addition to his potent bat, he proved to be a skilled defensive player, setting a single-season mark for fielding percentage for a shortstop in 1959. After injuries limited his mobility, Banks moved to first base in 1962.

Banks was known for his enthusiasm and love of the game, his trademark cry of “let’s play two!” reflecting the pure enjoyment he took in baseball. When he retired in 1971, he was the holder of most of the Chicago Cubs’ offensive records and had earned the nickname “Mr. Cub” among the team’s fans. In his career Banks totaled 512 home runs and 1,636 runs batted in. He was elected into the National Baseball Hall of Fame in 1977; he was the eighth player to be elected in his first year of eligibility. In 2013 Banks was awarded the Presidential Medal of Freedom. 

A00056 - Jacob Selebi, South African Police Commissioner Convicted of Corruption

Jacob (Jackie) Sello Selebi was born on March 7, 1950 in Johannesburg.  Selebi was the African National Congress (ANC) representative to the Soviet Union's World Federation of Democratic Youth in Budapest, Hungary, from 1983 to 1987. In 1987, he was elected as leader of the African National Congress Youth League (ANCYL) while in exile in Zambia. In the same year, he was appointed to the National Executive Committee of the ANC.

In 1991, Selebi was responsible for the repatriation of ANC exiles back to South Africa. After returning from exile, Selebi was one of the ANC’s acclaimed civil servants. 

In 1993, he was appointed the head of the ANC’s Department of Welfare. After South Africa’s first democratic elections, in 1994, Selebi became an ANC Member of Parliament. Shortly thereafter, he was appointed South Africa’s Ambassador to the United Nations (UN) in Geneva, a post that saw him chair two key UN sessions, the 54th session of the Human Rights Commission and the Oslo Diplomatic Conference on a Convention Banning Anti-Personnel Landmines. From 1995 to 1998, Selebi served as the South African Ambassador and Permanent Representative to the United Nations.

In 1998, Selebi was appointed Director-General of the Ministry of Foreign Affairs, Pretoria, a post he held until 1999. He had a distinguished career as a diplomat. In addition, in 1998, Selebi received a Human Rights Award from the International Service for Human Rights.

Former president Thabo Mbeki appointed him as the National Commissioner of the South African Police Service on January 1, 2000 as successor to the then National Police Commissioner, George Fivaz, whose term of office expired at the end of January 2000.

Selebi was elected Vice - President of Interpol (African region) in 2002, as post he held until 2004 and was elected INTERPOL President from 2004 and served until January 12, 2008.

On September 10, 2007, the National Prosecuting Authority issued a warrant of arrest for Selebi for corruption, fraud, racketeering and defeating the ends of justice.

In 2007, Selebi was strongly criticized for responding to concerns within the country over South Africa's rising crime rate with the comment "What's all the fuss about crime?" In March of the same year, Selebi was also criticized for his suggestion to legalize prostitution and public drinking for the duration of the 2010 Soccer World Cup to be hosted in South Africa. Opposition political parties and Doctors for Life International (a non-governmental organisation) expressed dismay at Selebi's recommendation and called on Parliament not to legalize prostitution or public drinking.

Following this, on January 12, 2008, then President Mbeki effectively suspended Selebi via an "extended leave of absence," and appointed Timothy Charles Williams as acting National Commissioner of Police. In January 2008, Selebi was put on extended leave as National Police Commissioner, and resigned as President of Interpol, after he was charged with corruption in South Africa.

After several postponements, Selebi’s trial began in earnest on April 8, 2010; nearly two years after the charges were first filed.

Selebi admitted to a friendship with convicted drug smuggler, Glenn Agliotti, who was a suspect in the murder of mining magnate, Brett Kebble, and was involved in a large drug deal and organized crime. Despite being head of police at the time, Selebi claimed that he was not aware that his friend was involved with crime.

During the trial, Agliotti told the court that he had paid Selebi over R1.2 million in bribes since 2000. He maintained that he had first met Selebi in 1990, when he  (Selebi) asked for money to pay for medical bills. Agliotti further testified that he and Selebi would go shopping together and all Selebi’s purchases would be charged to Agliotti's account.

Selebi was found guilty of corruption on July 2, 2010, but not guilty of further charges of perverting the course of justice. He was sentenced to 15 years imprisonment on August 3, 2010.  On December 2, 2011,  the Supreme Court of Appeal (SCA) unanimously overturned his appeal against his sentence, and ordered that he begin his 15-year jail sentence immediately. Judge Joffe found that Selebi had shown "complete contempt for the truth", including falsely accusing a witness of lying during the trial. The Judge added that Selebi had a low moral fibre and could not be relied upon.

Selebi collapsed at his Waterkloof home while watching the ruling on television. He began his fifteen-year prison term the following day.

An 11-member medical parole advisory board met on June 20, 2012 and recommended the release of six offenders, including Selebi, who needed dialysis for kidney failure. Correctional Services Minister Sbu Ndebele made the announcement at a press conference in Pretoria. "Six offenders were recommended for medical parole. Of these, two of the offenders were respectively released on the 9th and 12 of July 2012," said Ndebele. Selebi was released on medical parole having served just 219 days of his fifteen-year sentence. He remained at home in Waterkloof where he received dialysis for his kidney illness until his death. 

Jacob Sello (Jackie) Selebi died on January 23, 2015 at the age of 64.

A00055 - Faten Hamama, First Lady of the Arabic Screen

Hamama, Faten
Faten Hamama (Arabic: فاتن حمامة‎, Fātan Ḥamāmah), 27 May 1931 – 17 January 2015) was an Egyptian  film and television actress and producer.

She made her screen debut in 1939, when she was only seven years old. Her earliest roles were minor, but her activity and gradual success helped to establish her as a distinguished Egyptian actress. Eventually, and after many successful performances, she was able to achieve stardom. Revered as an icon in Egyptian and Middle Eastern cinema, Hamama substantially helped in improving the cinema industry in Egypt and emphasized the importance of women in cinema and Egyptian society.

After a seven-year hiatus from acting, Hamama returned in 2000 in what was a much anticipated television mini-series, Wajh al-Qamar (وجه القمر, Face of the Moon). In 2000, she was selected as Star of the Century by the Egyptian Writers and Critics organization. In 2007, eight of the films she starred in were included in the top 100 films in the history of Egyptian cinema by the cinema committee of the Supreme Council of Culture in Cairo.

Faten Hamama was born in 1931 to a Muslim lower middle class family in Mansoura, Egypt (according to her birth certificate), but she claimed to have been born in the Abdeen quarter of Cairo. Her father, Ahmed Hamama, worked as a clerk in the Egyptian Ministry of Education and her mother was a housewife. She had an older brother, Muneer, a younger sister, Layla, and a younger brother, Mazhar. Her aspiration for acting arose at an early age. Hamama was influenced by Assia Dagher as a child. When she was six years old, her father took her to the theater to see an Assia Dagher film; when the audience clapped for Assia, Faten told her father she felt they were clapping for her.

When Faten won a children's beauty pageant in Egypt, her father sent her picture to the director Mohammed Karim who was looking for a young female child to play the role of a small girl with the famous actor and musician Mohamed Abdel Wahab in the film Yawm Said (يوم سعيد, Happy Day, 1939). After an audition, Abdel Wahab decided that Faten was the one he was looking for. After her role in the film, people called her "Egypt's own Shirley Temple". The director liked her acting and was impressed with her so much that he signed a contract with her father. Four years later, she was chosen by Kareem for another role with Abdel Wahab in the film Rossassa Fel Qalb (رصاصة في القلب,Bullet in the Heart, 1944) and in another film two years later, Dunya (دنيا, Universe, 1946). After her success, Hamama moved with her parents to Cairo and started her study in the High Institute of Acting in 1946.

Youssef Wahbi, an Egyptian actor and director, recognized the young actress's talent so he offered her a lead role in the 1946 film Malak al-Rahma (ملاك الرحمة, Angel of Mercy). The film attracted widespread media attention, and Hamama, who was only 15 at the time, became famous for her melodramatic role. In 1949, Hamama had roles in three films with Wahbi: Kursi Al-I'etraf (كرسي الاعتراف, Chair of Confession), Al-Yateematain (اليتيمتين, The Two Orphans), and Sït Al-Bayt (ست البيت, Lady of the House). All were successful films.

The 1950s were the beginning of the golden age of the Egyptian cinema industry and Hamama was a big part of it. In 1952 she starred in the film Lak Yawm Ya Zalem (لك يوم يا ظالم, Your Day will Come) which was nominated at the Cannes Film Festival for the Prix International award. She also played lead roles in Yousef Shaheen's Baba Ameen(بابا أمين, Ameen, my Father, 1950) and Sira' Fi Al-Wadi (صراع في الوادي, Struggle in the Valley, 1954) which was a strong nominee in the 1954 Cannes Film Festival for the Prix International award. Hamama is also known for playing the lead role in the first Egyptian mystery film Manzel Raqam 13 (منزل رقم 13, House Number 13). In 1963, she received an award for her role in the political film La Waqt Lel Hob (لا وقت للحب, No Time for Love). Hamama was also able to make it to Hollywood; in 1963 she had a role in the crime film, Cairo.

In 1947, Hamama married actor/director Ezzel Dine Zulficar while filming the Abu Zayd al-Hilali (أبو زيد الهلالي) film. They started a production company which produced the film Maw'ed Ma' Al-Hayat (موعد مع الحياة, Date with Life) in which she starred. This particular film earned her the title of the "lady of the Arabic screen". She divorced Zulficar in 1954. One year later, she married Egyptian film star Omar Sharif.  Hamama continued to act in films directed by her first husband.

In 1954, while filming a Youssef Chahine film, Struggle in the Valley, Hamama refused to have the Egyptian actor Shukry Sarhan as a co-star, and Chahine offered Omar Sharif the role. Omar had just graduated from college then and was working for his father; Hamama accepted him as her co-star. Hamama had never agreed to act any scene involving a kiss in her career, but she shockingly agreed to do so in this film. The two fell in love, and Sharif converted to Islam and married her. This marriage started a new era of Hamama's career as the couple made many films together. Sharif and Hamama were the romantic leads of Ayyamna Al-Holwa (أيامنا الحلوة, Our Sweet Days), Ardh Al-Salam (أرض السلام, Land of Peace), La Anam (لا أنام, Sleepless), and Sayyidat Al-Qasr (سيدة القصر, The Lady of the Palace). Their last film together, before their divorce, was Nahr Al-Hob (نهر الحب, The River of Love) in 1960.

Hamama left Egypt from 1966 to 1971 due to the harassment by Egyptian Intelligence. She had been a supporter of the 1952 Revolution, but later became an opponent of the Free Officers and their oppressive regime.  Consequently, she was forbidden to travel or participate in film festivals. She was only able to leave Egypt after many controversial disputes.

While Hamama was away, then President Gamal Abdel Nasser asked famous writers, journalists and friends to try to convince her to return to Egypt. He called her a "national treasure" and had even awarded her an honorary decoration in 1965. However, she would not return until 1971, after Nasser's death.

Hamama played roles conveying messages of democracy. She often criticized the laws in Egypt in her films. In the 1972 film Imbarotiriyat Meem (إمبراطورية ميم, The Empire of M), Hamama presented a pro-democratic point of view and received an award from the Soviet Union of Women in the Moscow International Festival. Her most significant political film was Oridu Hallan (أريد حلاً, I Want a Solution). In this film, she criticized laws governing marriage and divorce in Egypt. After the film, the Egyptian government abrogated a law that forbade wives from divorcing their husbands, therefore allowing khul'.

As Hamama became older, her acting roles declined and she made fewer films compared to earlier in her career, but nevertheless the films she was able to make tended to be successful. She made her first television appearances in her late career. She starred in the TV mini-series Dameer Ablah Hikmat (ضمير أبلة حكمت, Mrs. Hikmat's Conscience).

After 1993, her career came to a halt. It was not until 2000 that she returned in the successful TV mini-series Wajh ِِal-Qamar which was broadcast on 23 TV channels in the Middle East. In this mini-series, Hamama portrayed and criticized many problems in Egyptian and Middle Eastern society. Despite some criticisms, the mini-series received much praise and acclaim. Hamama was awarded the Egyptian Best TV Actor of the Year and the mini-series won the Best TV Series Award in the Egyptian Radio and Television Festival. 

Before the 1950s, Hamama had leading roles in 30 films, in which she often played the role of a weak, empathetic, poor girl. After the 1950s, Hamama was in search of her real identity and was trying to establish herself as a distinct figure. During this period, her choice of material and roles was somewhat limited. However, film producers soon capitalized on her popularity with audiences in local and Middle Eastern markets and she began to play realistic, strong women, such as in Sira' Fi Al-Wadi (صراع في الوادي,Struggle in the Valley, 1954) where she portrayed a rich man's daughter who, contrary to stereotype, was a realistic woman who helped and supported the poor. In the 1952 film Miss Fatmah (الأستاذة فاطمة), Hamama starred as a law student who believed women were as important as men in society.

In Imbratoriyat Meem (امبراطورية ميم, The Empire of M), she played the role of a widow who takes care of her large family and suffers hardship. Her most influential film was Oridu Hallan (أريد حلا, I Want a Solution) which criticized the laws of marriage and divorce in Egypt. A law in Egypt that forbade khul' ( خلع ) – a divorce initiated by the wife.

Most critics agree that Hamama's most challenging role was in the 1959 film Dua'e Al-Karawan (دعاء الكروان, The Nightingale's Prayer), which was chosen as one of the best Egyptian film productions. It is based on the novel by the same name by the prominent Egyptian writer Taha Hussein. In this film, Hamama played the role of Amnah, a young woman who seeks revenge from her uncle for the honor killing of her sister. After this film, Hamama carefully picked her roles. In 1960, she starred in the film Nahr Hob (نهر حب, Love River) which was based on Leo Tolstoy's well known novel Anna Karenina and in 1961, she played the lead role in the film La Tutf'e al-Shams (لا تطفئ الشمس, Don't Turn Off the Sun) based on the novel by Ihsan Abdel Quddous.

Faten Hamama died on January 17, 2015, aged 83 due to health problems. Her son Tarek Sharif did not state the exact cause of death.

Hamama met director Ezzel Dine Zulficar, while filming Abu Zayd al-Hilali (أبو زيد الهلالى) in 1947, fell in love and wed. The marriage lasted for seven years. They divorced in 1954. The two remained friends, and Hamama continued to star in his films after the divorce. They had one child, a daughter, Nadia Zulficar. In 1954, Hamama chose Omar Sharif to co-star with her in a film. In this film, she uncharacteristically agreed to a romantic scene involving a kiss. During the filming, they fell in love. Sharif converted to Islam and married her. The couple co-starred in many films. However, after nearly two decades together, the couple divorced in 1974; they had one son, Tarek Sharif.

Hamama later married Dr Mohamed Abdel Wahab Mahmoud, an Egyptian physician. They resided in Cairo until her death on January 17, 2015 following a short illness.

Throughout Hamama's career, she received numerous accolades for best actress, and was nominated for the Cannes Film Festival's Prix International for her role in 1950's Your Day Will Come. She received her first award in 1951 for her role in I'm the Past. The country's Ministry of Guidance also awarded her the title of Best Actress in both 1955 and 1961. These were followed by many different awards for best actress from various national and international events. International ones included special awards for acting at the first Tehran International Film Festival in 1972 for her role in The Thin Thread, and in 1977 for her role in Mouths and Rabbits. In 1973, she received the Special Award at the Moscow International Film Festival for her role in Empire M. Other international accolades include the Best Actress awards at the Jakarta Film Festival in 1963 for her role in The Open Door, and at the Carthage Film Festival in 1988 for her role in Bitter Days, Nice Days.

Hamama was also a recipient of the Lebanese Order of Merit in 1984 for her role in The Night of Fatma's Arrest. She was later presented lifetime achievement awards, including one at the Montpellier Mediterranean Film Festival in 1993, and another at the Dubai International Film Festival in 2009. In 2001, the Egyptian Writers and Critics Organization chose her as "Star of the Century" at the Alexandria International Film Festival, honoring  her lengthy career in Egyptian cinema.