Tony Gleaton (b. August 4, 1948, Detroit, Michigan - d. August 14, 2015, Palo Alto, California) was an African American photographer, scholar, and artist who is best known for his photographic images capturing and documenting the African influence in the American West and Central and South America. Gleaton, the youngest son of an elementary school teacher and police officer, was born into a black middle-class family on August 4, 1948 in Detroit, Michigan. His father, Leo, was a police officer; his mother, the former Geraldine Woodson, taught school. In 1959, his mother left his father and moved the family to California. Gleaton played football in high school and briefly at East Los Angeles Junior College before joining the United States Marine Corps in 1967. While on his first tour of duty in Vietnam, he became fascinated with the camera.
After serving in the Marine Corps until 1970, Gleaton returned to California and enrolled at the University of California, Los Angeles (UCLA). While there, he took a photography class that revealed his talent for shooting photos. He left UCLA without getting a degree and studied for a semester at the Arts Center School of Design in Los Angeles before venturing to New York to pursue his aspirations of becoming a fashion photographer. Gleaton worked as a photographic assistant and performed other various jobs through the 1970s.
Dissatisfied with the fashion world, Gleaton left New York in 1980 and hitchhiked throughout the American West, photographing cowboys first in northeastern Nevada and then in Texas. He captured the lives of Native American ranch hands and black rodeo riders. His photographic ventures in Texas, Colorado, Nevada, Idaho, and Kansas formed the essence of his project titled Cowboys: Reconstructing an American Myth. This collection featured a series of portraits of African, Native, Mexican and European American cowboys.
Gleaton’s interest in the multicultural Southwest influenced his travels to Mexico. By 1981 he had begun traveling to and from Mexico, shooting photographs. In 1982 he moved to Mexico City, and from 1986 to 1992, he resided with the Tarahumara Indians in northern Mexico and then moved to Guerrero and Oaxaca. Here, Gleaton began what is now his most famous project, Tengo Casi 500 Años: Africa’s Legacy in Mexico, Central & South America. Gleaton photographed the present-day descendants of African slaves brought to the region by Spanish conquistadors in the sixteenth, seventeenth, and eighteenth centuries.
Africa’s Legacy gained international recognition. In 1993 the collection was placed on exhibit by the Smithsonian Museum and toured throughout Mexico and Cuba with the sponsorship of the Mexican National Council of Art. By 1996 Gleaton had expanded his project to include Central and South America, eventually traveling over fifty thousand miles with stops in sixteen countries between 1993 and 2002.
In 2002 Gleaton became a visiting professor of photography at Texas Tech University. That same year, he finished a Master’s in Art at Bard College. In 2004 Gleaton became a scholar in residence for the Texas Tech Southwest Collection/Special Collections Library in Lubbock, Texas. The collection houses the Tony Gleaton Archive.
A big man — he was well over 6 feet tall and weighed more than 300 pounds — Gleaton was known as a charmer, especially with his subjects and with students of photography. He was divorced three times before he married Lisa Ellerbee, a teacher, in 2005. She was his only immediate survivor. They lived in San Mateo, Calif.
Gleaton, who was light-skinned with green eyes, said he often had to explain to people that both his parents were black and that he was not biracial, and that the preconceptions people had of him found their way into his work.
Tony Gleaton died on August 14, 2015, in Palo Alto, California. His only immediate survivor was his wife, Lisa Gleaton.