Monday, June 23, 2014

A00039 - Frank Wess, Basie Band Saxophonist and Flutist


Frank Wellington Wess (January 4, 1922 – October 30, 2013) was an American jazz saxophonist and flautist. 



Wess was born in Kansas City, Missouri, the son of a school principal father and a schoolteacher mother. He began with classical music training and played in Oklahoma in high school. He later switched to jazz upon moving to Washington, D. C., and by nineteen was working with Big Bands. His career was interrupted during World War II although he did play with a military band during the period. After leaving the military, he joined Billy Eckstine's orchestra.  He returned to Washington, D. C. a few years afterwards and received a degree in flute at the city's Modern School Of Music. From 1953 on, he joined Count Basie's band, playing flute and tenor sax. He reverted to alto sax in the late 1950s, and left Basie's band in 1964. From 1959 to 1964 he won Down Beat's critic poll for flute.

He was a member of Clark Terry's big band from 1967 into the 1970s and played in the New York Jazz Quartet (with Roland Hanna).  He also did a variety of work for TV. In 1968 Wess contributed to the landmark album The Jazz Composer's Orchestra. 

In the 1980s and 1990s, Wess worked with Kenny Barron, Rufus Reid, Buck Clayton, Benny Carter, Billy Taylor, Harry Edison, Mel Torme, Ernestine Anderson, Louie Bellson, John Pizzarelli, Howard Alden, Dick Hyman, Jane Jarvis, Frank Vignola and was a featured member of the Toshiko Akiyoshi Jazz Orchestra.   In the 2000s, Wess released two albums with Hank Jones. In 2007, Wess was named an NEA Jazz Master by the United States National Endowment for the Arts.  

Frank Wess died from a heart attack related to kidney failure on October 30, 2013.

A00038 - Ruby Dee, Actress and Activist

Ruby Dee, byname of Ruby Ann Wallace   (b. October 27, 1922, Cleveland, Ohio,  - d. June 11, 2014, New Rochelle, New York), was an American actress and social activist who was known for her pioneering work in African American theatre and film and for her outspoken civil rights activism. Dee’s artistic partnership with her husband, Ossie Davis, was considered one of the theatre and film world’s most distinguished.
After completing her studies at Hunter College in Manhattan, Dee served an apprenticeship with the American Negro Theatre and began appearing on Broadway. She met Davis on the set of the play Jeb and married him in 1948. She often appeared with her husband in plays, films, and television shows over the next 50 years. Among Davis and Dee’s most notable joint stage appearances were those in A Raisin in the Sun (1959; Dee also starred in the film version in 1961) and the satiric Purlie Victorious (1961), which Davis wrote; Davis and Dee also appeared in the film version of the latter (Gone Are the Days, 1963). The couple acted in several movies by director Spike Lee, including Do the Right Thing (1989) and Jungle Fever (1991). Among their television credits are Roots: The Next Generation (1978), Martin Luther King: The Dream and the Drum (1986), and The Stand (1994). The couple’s partnership extended into their activism as well; they served as master and mistress of ceremonies for the 1963 March on Washington, which they had helped organize.
Dee continued to act into the early 21st century, and her later films include The Way Back Home (2006) and American Gangster (2007). Her performance as the mother of a drug kingpin (played by Denzel Washington) in the latter film earned Dee her first Academy Award nomination. She also appeared in numerous television productions, notably Their Eyes Were Watching God (2005), an adaptation of Zora Neale Hurston's novel. In addition to her acting, Dee authored several books. Dee and Davis were jointly awarded the National Medal of Arts in 1995 and a Kennedy Center Honor in 2004.

Friday, June 20, 2014

A00037 - Maya Angelou, Poet and Activist

Maya Angelou, original name Marguerite Annie Johnson   (born April 4, 1928, St. Louis, Missouri, U.S.—died May 28, 2014, Winston-Salem, North Carolina), American poet, memoirist, and actress whose several volumes of autobiography explore the themes of economic, racial, and sexual oppression.
Although born in St. Louis, Angelou spent much of her childhood in the care of her paternal grandmother in rural Stamps, Arkansas.  When she was not yet eight years old, she was raped by her mother’s boyfriend and told of it, after which he was murdered; the traumatic sequence of events left her almost completely mute for several years. This early life is the focus of her first autobiographical work, I Know Why the Caged Bird Sings (1969; TV movie 1979), which gained critical acclaim and a National Book Award nomination. Subsequent volumes of autobiography include Gather Together in My Name (1974), Singin’ and Swingin’ and Gettin’ Merry Like Christmas (1976), The Heart of a Woman (1981), All God’s Children Need Traveling Shoes (1986), A Song Flung Up to Heaven (2002), and Mom & Me & Mom (2013).
In 1940, Angelou moved with her mother to San Francisco and worked intermittently as a cocktail waitress, a prostitute and madam, a cook, and a dancer. It was as a dancer that she assumed her professional name. Moving to New York City in the late 1950s, Angelou found encouragement for her literary talents at the Harlem Writers’ Guild. About the same time, Angelou landed a featured role in a State Department-sponsored production of George Gershwin's folk opera Porgy and Bess; with this troupe she toured 22 countries in Europe and Africa. She also studied dance with Martha Graham and Pearl Primus. In 1961, she performed in Jean Genet's play The Blacks. That same year she was persuaded by a South African dissident to whom she was briefly married to move to Cairo, where she worked for the Arab Observer. She later moved to Ghana and worked on The African Review.
Angelou returned to California in 1966 and wrote Black, Blues, Black (aired 1968), a 10-part television series about the role of African culture in American life. As the writer of the movie drama Georgia, Georgia (1972), she became one of the first African American women to have a screenplay produced as a feature film. She also acted in such movies as Poetic Justice (1993) and How to Make an American Quilt (1995) and appeared in several television productions, including the miniseries Roots (1977). Angelou received a Tony Award nomination for her performance in Look Away (1973), despite the fact that the play closed on Broadway after only one performance. In 1998 she made her directorial debut with Down in the Delta (1998).
Angelou’s poetry, collected in such volumes as Just Give Me a Cool Drink of Water ’fore I Diiie (1971), And Still I Rise (1978), Now Sheba Sings the Song (1987), and I Shall Not Be Moved (1990), drew heavily on her personal history but employed the points of view of various personae. She also wrote a book of meditations, Wouldn’t Take Nothing for My Journey Now (1993), and children’s books that include My Painted House, My Friendly Chicken and Me (1994), Life Doesn’t Frighten Me (1998), and the Maya’s World series, which was published in 2004–05 and featured stories of children from various parts of the world. Angelou dispensed anecdote-laden advice to women in Letter to My Daughter (2008); her only biological child was male.
In 1981 Angelou, who was often referred to as “Dr. Angelou” despite her lack of a college education, became a professor of American studies at Wake Forest University, Winston-Salem, North Carolina. Among numerous honors was her invitation to compose and deliver a poem, “On the Pulse of Morning,” for the inauguration of United States President Bill Clinton in 1993. She celebrated the 50th anniversary of the United Nations in the poem “A Brave and Startling Truth” (1995) and elegized Nelson Mandela in the poem “His Day Is Done” (2013), which was commissioned by the United States State Department and released in the wake of the South African leader’s death. In 2011 Angelou was awarded the Presidential Medal of Freedom. 

Thursday, June 19, 2014

A00036 - Ahmed Abu Khattala, Islamist Militia Commander in Libya

Khattala, Ahmed Abu
Ahmed Abu Khattala (born c. 1971) was a Islamist militia commander in Libya, a commander of Ansar al-Sharia militia. He is suspected of participating in the 2012 Benghazi attack on the American diplomatic mission at Benghazi, in which the American Ambassador and three other Americans were killed. In a December 2013 investigation of the attack, the New York Times described Abu Khattala as a central figure.  However, Abu Khattala denied killing the Americans or being part of the attack.

Abu Khattala spent most of his adult life in Abu Salim prison in Tripoli, jailed by the Qaddafi government for his Islamist views. During the 2011 uprising against Qaddafi in Libya, he formed his own militia of perhaps two dozen fighters, naming it Obeida Ibn Al Jarra for an early Islamic general. He later became involved in Ansar al-Shariah, a group of as many as 200 militants who, had broken away from the other militias in 2012 in protest of those militia's support for parliamentary elections in Libya.  Abu Khattala opposed American involvement in Libya and in interviews with the New York Times stated that “the enmity between the American government and the peoples of the world is an old case.” In regards to the role of the air campaign of NATO that overthrew Colonel Qaddafi, he believed that if NATO had not intervened, “God would have helped us.” He also claimed that, “We know the United States was working with both sides” and considering “splitting up" Libya.

Witnesses of the September 11, 2012 attack on the American diplomatic compound in Benghazi say they saw Abu Khattala leading the attack. On August 6, 2013, United States officials confirmed that Abu Khattala had been charged with playing a significant role in the attack. 

On the weekend of June 14 to June 15, 2014, U.S. Special Forces captured Abu Khattala in a covert mission in Libya. Khattala is one of the suspected leaders of the 2012 Benghazi attack. 

Wednesday, May 28, 2014

A00035 - Vincent Harding, Civil Rights Author and Speechwriter for Dr. King

Vincent Gordon Harding (July 25, 1931 – May 19, 2014) was an African-American historian and a scholar of various topics with a focus on American religion and society.  A social activist as well, he was perhaps best known for his work with and writings about Dr. Martin Luther King, Jr., whom Harding knew personally. Besides having authored numerous books such as There Is A River and Wade in the Water: The Wisdom of the Spirituals, he served as co-chairperson of the social unity group Veterans of Hope Project and as Professor of Religion and Social Transformation at Illiff School of Theology in Denver, Colorado. 

Harding was born in Harlem, New York, and attended New York public schools, graduating from Morris High School in the Bronx in 1948. After finishing high school, he enrolled in the City College of New York, where he received a B.A. in History in 1952. The following year he graduated from Columbia University, where he earned an M.S. in Journalism. Harding served in the United States Army from 1953-1955. In 1956 he received an M.A. in History at the University of Chicago. In 1965 he received his Ph.D. in History from the University of Chicago, where he was advised by Martin E. Marty. 



In 1960, Harding and his wife, Rosemarie Freeney Harding, moved to Atlanta, Georgia to participate in the Southern Freedom Movement (also known as the American civil rights movement) as representatives of the Mennonite Church. The Hardings co-founded Mennonite House, an interracial voluntary service center and Movement gathering place in Atlanta. The couple traveled throughout the South in the early 1960s working as reconcilers, counselors and participants in the Movement, assisting the anti-segregation campaigns of the Southern Christian Leadership Conference (SCLC), the Student Nonviolent Coordinating Committee (SNCC) and the Congress of Racial Equality (CORE). Vincent Harding occasionally drafted speeches for Martin Luther King, including King's famous anti-Vietnam speech, "A Time to Break Silence" which King delivered on April 4, 1967 at Riverside Church in New York City, exactly a year before he was assassinated.

Harding taught at the University of Pennsylvania, Spelman College, Temple University, Swarthmore College, and Pendle Hill Quaker Center for Study and Contemplation. He was the first director of the Martin Luther King Jr. Memorial Center and of the Institute of the Black World, both located at Atlanta. He also became senior academic consultant for the PBS television series Eyes on the Prize.


Harding served as Chairperson of the Veterans of Hope Project: A Center for the Study of Religion and Democratic Renewal, located at the Iliff School of Theology in Denver, Colorado.  Harding taught at Iliff as Professor of Religion and Social Transformation from 1981 to 2004.

A00034 - Herb Jeffries, "Bronze Buckaroo" of Song and Screen

Herbert "Herb" Jeffries, born Umberto Alexander Valentino (September 24, 1913 – May 25, 2014), was an American jazz and popular singer and actor. Herb Jeffries sang with Duke Ellington and starred in early black westerns as a singing cowboy known as “the Bronze Buckaroo” — a nickname that evoked his malleable racial identity. 
In the 1940s and 1950s Jeffries recorded for a number of labels, including RCA Victor, Exclusive, Coral, Decca, Bethlehem, Columbia, Mercury and Trend.  His album Jamaica, recorded by RKO, is a concept album of self-composed calypso songs.

Jeffries was born Umberto Alexander Valentino in Detroit to an Irish mother who ran a rooming house, and a father, whom he never knew, of mixed Sicilian, Ethiopian, French, Italian and Moorish roots, on September 24, 1913.  He once characterized himself in an interview as "three-eighths Negro", claiming pride in his racial heritage during a period when many other light-skinned black performers were attempting "to pass" as all-white in an effort to broaden their commercial appeal. In marked contrast, Jeffries used make-up to darken his skin—in order to pursue a career in jazz and to be seen as employable by the leading all-black musical ensembles of the day. Yet, much later in his career, Jeffries would assume the identify of a white citizen for economic or highly personal reasons.

A 2007 documentary short describes Jeffries as "assuming the identity of a man of color" early in his career.  He is shown in Black/White & All That Jazz explaining that he was inspired by New Orleans-born musician Louis Armstrong to say falsely, at a job interview in Chicago, that he was "a creole from Louisiana" when he was of Irish and Sicilian heritage, among other ethnic backgrounds.

In 2007, while assembling material for the producers of a documentary film about him (A Colored Life), Jeffries found his birth certificate; this reminded him that he actually was born in 1913 and that he had misrepresented his age after he left home to look for a job. His four marriages (including one to exotic dancer Tempest Storm) produced five children. He appeared at jazz festivals and events benefiting autism and other developmental problems and lectured at colleges and universities. He supported music education in schools. In June 2010, aged 96, Jeffries performed to raise funds for the Oceanside (California) Unified School District's music program, accompanied by the Big Band Jazz Hall of Fame Orchestra under the direction of clarinetist Tad Calcara. 

A jazz and popular singer, he starred as a singing cowboy in several all-black Western films, in which he sang his own western compositions. Jeffries obtained financing for the first black western film and hired Spencer Williams to appear with him. In addition to starring in the film, he sang and performed his own stunts as cowboy "Bob Blake". He began his career working with Erskine Tate and his Vendome Orchestra when he moved to Chicago from Detroit at the urging of Louis Armstrong. His break came during the 1933 Chicago World's Fair—Century of Progress Exposition singing with the Earl Hines Orchestra on Hines’ national broadcasts live from the Grand Terrace Cafe.  His first recordings were with Hines in 1934, including "Just to be in Carolina". He then recorded with Duke Ellington from 1940 to 1942. His recording of "Flamingo" (1940) with Ellington was a best seller in its day. He was replaced in the Ellington band by Al Hibbler in 1943. 

Playing a singing cowboy in low-budget films, Jeffries became known as the "Bronze Buckaroo" by his fans. In a time of American racial segregation, such "race movies" played mostly in theaters catering to African-American audiences. The films, now available on video, include Harlem on the Prairie, The Bronze Buckaroo, Harlem Rides the Range and Two-Gun Man from Harlem.  Jeffries went on to make other films, starring with Angie Dickinson in Calypso Joe (1957). He later directed and produced Mundo depravados, a cult film starring his wife, Tempest Storm. In 1968, Jeffries appeared in the long-running western TV series The Virginian playing a gunslinger who intimidated the town. At the age of 81, he recorded a Nashville album of songs on the Warner Western label in 1995 entitled The Bronze Buckaroo (Rides Again).

Jeffiries lived in Wichita, Kansas, and tur
ned 100 on September 24, 2013. He died of heart failure at a California hospital on May 25, 2014.
For his contributions to the motion-picture industry, Jeffries has a star on the Hollywood Walk of Fame at 6672 Hollywood Boulevard. In 2004 he was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma.  A restaurant in Idyllwild, Cafe Aroma, has a room named for him. In 1998, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him.

The filmography of Herb Jeffries includes the following:
  • Harlem on the Prairie (1937)
  • Two-Gun Man from Harlem (1938)
  • Harlem Rides the Range (1939)
  • The Bronze Buckaroo (1939)
  • Calypso Joe (1957)
  • Chrome and Hot Leather (1971)
  • Portrait of a Hitman (1977)
The discography of Herb Jeffries includes the following:
  • Sidney Bechet: "1940-1941" (Classics)
  • Earl Hines: "1932-1934" (Classics)
  • Duke Ellington: "The Blanton-Webster Band" (RCA, 1940–42)
  • Michael Martin Murphrey: "Sagebrush Symphony"
  • "Jamaica" (RKO Records ULP - 128) all songs composed by Jeffries
  • "Passion" (Brunswick, BL 54028) Coral singles compiled on 12" LP
  • "Say it Isn't So" (Bethlehem BCP 72) with the Russ Garcia Orchestra
  • "Herb Jeffries" (Harmony HL 7048) Columbia singles LP
  • "Magenta Moods" (Mercury 2589 10") LP transfer of Exclusive label album
  • "Herb Jeffries Sings" (Mercury 2590 10") more Exclusive singles with the Buddy Baker Orchestra
  • "Herb Jeffries and his Orchestra" (Mercury 2591 10") Exclusive label singles
  • "Songs by Herb Jeffries" (Mercury 2592 10") Exclusive label singles
  • "I Remember the Bing" (Dobre Records 1047)
  • "Play and Sing the Duke" (Dobre Records 1053)
  • "The King and Me" (Dobre Records 1059)

Wednesday, May 21, 2014

A00033 - Judith Cummings, First Black Woman to Head a National News Bureau for NYT

Judith Cummings (December 27, 1945, Detroit, Michigan - May 6, 2014, Detroit, Michigan) was the first black woman to head a national news bureau for The New York Times, serving as chief correspondent in Los Angeles from 1985 to 1988.

Cummings was born on December 27, 1945, in Detroit and attended Howard University, where she received her bachelor's degree in 1967.

In 1971, her career in journalism began after she was recruited by the Times in their minority training program. Prior to this, she was a speech writer for Clifford L. Alexander Jr., the head of the Equal Employment Opportunity Commission in Washington, D.C.

From 1972 to 1979, Cummings was a general assignment reporter for the Times, where she covered crime and major events in New York City. Unsatisfied with the fact that Blacks and other minorities were pigeonholed into covering local beats, she joined others in filing a federal lawsuit against the paper for neglecting to promote journalists of color to cover national stories.

The Times agreed in a settlement to expand their minority hiring, training and promotional practices. Cummings became a correspondent for the Los Angeles area in September 1981 and became the bureau chief four years later.

In 1988, Cummings retired to care for her parents.