Jalaluddin Mansur Nuriddin (b. July 24, 1944, Brooklyn, New York – d. June 4, 2018, Atlanta, Georgia) was an African American poet and musician. He was one of the founding members of The Last Poets, a group of poets and musicians that evolved in the 1960s out of the Harlem Writers Workshop in New York City.
Overlooked No More: Ora Washington, Star of Tennis and Basketball
She was dominant in both sports over two decades and was in all likelihood the first Black star in women’s sports in the United States.
This article is part of Overlooked, a series of obituaries about remarkable people whose deaths, beginning in 1851, went unreported in The Times.
Ora Washington, a dominant two-sport champion over two decades, was so good at basketball and tennis that she was hailed in the Black press as “Queen Ora” and the “Queen of Two Courts” — and for good reason.
In the 1920s through the 1940s, long before female athletes like Serena Williams, Simone Biles and Naomi Osaka became immensely influential sports figures, Washington was in all likelihood the first Black star in women’s sports the United States had ever seen.
In one basketball game, she sank an improbable basket from beyond midcourt. In another, she scored 38 points when entire women’s teams normally didn’t score that many in a single outing. Washington “can do everything required of a basketball player,” the sports columnist Randy Dixon wrote in 1939 in the Black weekly newspaper The Pittsburgh Courier. “She passes and shoots with either hand. She is a ball hawk. She has stamina and speed that make many male players blush with envy.”
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Washington, the team’s center and captain, did it all without even warming up before competitions, coolly saying that she preferred to warm up as she went along. Her remarkable basketball skills were “flashy and aggressive,” as The Courier said in 1931, and brought spectators rushing to see her decades before the women’s game became popular in mainstream society.
On the tennis court, Washington was perhaps even more spectacular. Beginning in 1929, she won seven straight national singles championships — and eight in all — as part of the American Tennis Association, a league that welcomed all comers at a time when the world’s top league, the United States Lawn Tennis Association, allowed only white players to compete. Washington also won 12 consecutive A.T.A. doubles titles from 1925 to 1936, including nine with her partner Lulu Ballard, and three mixed doubles titles.
With a searing serve and an unconventional way of holding the racket halfway up its neck, Washington won her matches “with ridiculous ease” and “walloped opponents into the also-ran columns” with her “flying feet, keen sight, hairline timing and booming shots,” The New York Age, another Black newspaper, wrote in 1939. The Age likened Washington, who was square-jawed, muscular and about 5-foot-7, to the boxing champion Joe Louis because both won with “deadening monotony.”
“If you’re looking at Black women’s sports in the pre-integration era, she was the star,” Pamela Grundy, a historian and a pre-eminent source of Washington’s life and career, said in an interview.
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“She did things her own way,” Grundy added. “I think that made a lot of people nervous.”
Washington once made news when she boldly wore pants, not a skirt, on the tennis court. She rarely wore makeup, and she never married; her closest relationships were with other women, said Grundy, who has interviewed several of Washington’s relatives.
After matches, Washington wouldn’t hobnob at social events that often surrounded big tennis matches. Instead, she quietly went home or back to her job as a housekeeper for wealthy white families, work she continued throughout her sports career, Grundy said.
“Ora wasn’t girly girly,” she added. “And she didn’t pretend to be girly.”
Washington was known for her physical, intimidating style of play, which opponents didn’t soon forget.
“Competitors — 60 years after the fact — had quite vivid memories of her skills and style,” said the sports historian Rita Liberti, who has interviewed several of Washington’s opponents. Ruth Glover Mullen, who played against Washington in the 1930s, told Liberti that facing Washington “was just like playing a Magic Johnson or Michael Jordan.”
Years went by without Washington losing a single match. But white Americans did not notice because Washington had been relegated to a segregated corner of the sports world. And that was their loss, the tennis champion Arthur Ashe asserted decades later, “because Washington may have been the best female athlete ever,” he wrote in The New York Times in 1988.
Some said her dominance had made tennis boring.
“It does not pay to be national champion too long,” Washington told The Baltimore Afro-American in 1939. “It’s the struggle to be one that counts. Once arrived, everybody wants to take it away from you and you are the object of many criticisms.”
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She retired from her singles career in 1938 but came out of retirement briefly in 1939 to play Flora Lomax, the reigning A.T.A. national champion, whom the Black press had referred to as the sport’s glamour girl. There had been speculation that Washington had retired to avoid playing Lomax, prompting Washington to tell The Afro-American that she “just had to” prove somebody wrong after “they said Ora was not so good anymore.”
Washington proceeded to beat Lomax with relative ease.
Washington won her last A.T.A. mixed doubles title in 1947, when she was in her 40s. She and her partner, George Stewart, beat R. Walter Johnson and Althea Gibson, the Black athlete who was on the cusp of greatness.
Washington then retired for good, just as the sport was beginning to be integrated. Had she stayed, “Ora would have beaten Althea,” Johnson was quoted as saying in Florida Today in 1969, and had she been a little younger, she could have become an international star.
It was Gibson who became the first Black player to win a major tournament, the 1956 French Open singles; she went on to win five Grand Slam singles titles in all.
Dixon, the columnist at The Pittsburgh Courier, said in 1939 that Washington might have become better known had she not shied away from the limelight. She had, he wrote, “committed the unpardonable sin of being a plain person with no flair whatever for what folks love to call society.”
Ora Belle Washington is believed to have been born in the late 1890s in Caroline County, Va. (The state didn’t keep birth records at the time.) She was the fifth of nine children of James and Laura (Young) Washington, who owned a farm in the small town of File, about midway between Richmond and Washington.
As a teenager, Ora left the increasingly violent segregated South for Philadelphia, where she picked up tennis at the Y.W.C.A. in the Germantown section of the city. She was a natural.
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At an A.T.A. regional tournament in 1925, just a few years after she had started playing tennis, Washington signaled that she had arrived when she upset Isadore Channels, the league’s reigning national champion. She also started her doubles winning streak with Ballard that year.
After moving to Chicago, where she worked as a hotel maid, Washington won her first national singles title in 1929, and for seven straight years there was no stopping her. “Her superiority is so evident,” the Black paper The Chicago Defender wrote in 1931, “that her competitors are frequently beaten before the first ball crosses the net.”
But with no avenue available to gauge her talents against white players, she turned to basketball. The timing was perfect; the sport was on the rise in the Black community, which embraced women ballplayers as celebrities.
In 1930, Washington joined the Germantown Hornets, which played out of her local Y.W.C.A., and they lost only one game on the way to a Black women’s national championship.
She later played for the Philadelphia Tribune Girls, a semiprofessional squad sponsored by a local Black newspaper, and the team became an all-star outfit that traveled throughout the South and Midwest for sold-out games. The team drew more than 1,000 fans when it played Bennett College, an all-Black women’s college in North Carolina, according to The Greensboro Daily News in 1934.
The Newsgirls, as the Tribune Girls were also known, won 11 straight Colored Women’s Basketball world championship titles, in part because no opposing player could handle Washington and no coach could devise a defense to contain her.
Even the mainstream press called Washington an “outstanding star” or the “famous colored girl athlete.” She remained with the team until 1943, when it disbanded.
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Washington then slipped nearly completely off the national stage. When she was inducted into the Black Athletes Hall of Fame in 1976, the organizers were surprised that she did not show up for the ceremony.
They were even more surprised to learn that she had died five years earlier, on May 29, 1971, in Philadelphia, according to her death certificate. Grundy learned from an interview with Washington’s nephew Bernard Childs that Washington had been ill for some time.
Washington was inducted into the Basketball Hall of Fame, in Springfield, Mass., in 2018, partly through the efforts of Claude Johnson, the executive director of the Black Fives Foundation, a nonprofit group that promotes awareness of African Americans who played basketball before the N.B.A. was integrated.
“When Ora Washington played, there had never before been greatness at that level,” Johnson said in an interview. “We should honor that.”
